I was recently in a conversation with someone who distributes spiritual films, and asked, "What is missing in spiritual cinema?" I asked because I want to make entertaining films that are spiritually uplifting and I need to know my market. She said, "Humor!" and went on to tell me how she has seen way too many talking-head documentaries that are trying to recreate The Secret or similar films.
It's true. People need to laugh, especially in these transitional and challenging times on the planet. Personally, I've done so much work with depressing subjects, like sexual abuse of women, war and child trafficking. I'm aware of what's happening out there, and now I need to be uplifted. I'm not going to forget the suffering and social injustice that I've seen in the world, but gosh, it's time for me to laugh and to do it on a regular basis.
In this vein, I'm now wondering how I can make spiritual films that will make you laugh so hard that you'll almost pee your yoga pants. I think this generation of filmmakers needs to take making fun of ourselves and our spiritual practices to the next level. Images of Monty Python's Life of Brian are now sparking ideas in my head...
If you have some spiritually humorous videos to share, please post the link(s) on my Facebook page. In the meantime, these are some of the sidesplitting spiritual videos that I know about. If you are reading this blog in the email subscription format, please click through to my blog, because the videos below will not embed into your email. Don't ask me why--it's a Blogger thing that's beyond my capability.
Tuesday, January 10, 2012
Tuesday, December 27, 2011
My Trip to Ganeshpuri, India
Meet Nityanda.
The shiniest jewel of my recent India adventure was my stealthy pilgrimage to Ganeshpuri, a small jungle village about 90-minutes north of Mumbai. I went to see the former home of Nityananda who is one of my greatest spiritual teachers; I've felt his presence around me for years, and his teachings just make sense to me. Nityananda built his last ashram there and took mahasamadhi (or mystically kicked the bucket) in 1961. This place has been on my to-do list for about 9 years! Check that one off!
But you need some back-story before I share the sweetness from that day. I will share my own experience of Nityananda, rather than make a poor attempt at retelling people's accounts of his mysterious nature.
In April of 2006, I was en route to Cambodia for a job. I went to interview survivors of the Khmer Rouge and to write about sex trafficking and different community development projects in the tribal countryside. I went only four months after a two-year living stint in Kabul. I was operating on emotional fumes, and the physical/post traumatic burnout that comes with living in a war zone; it's because of this that I doubted my decision to go. Could I really handle another adventure?
Labels:
adventure,
Butterfly On The Road,
Ganeshpuri,
India,
Liz Grover,
Nityananda
Thursday, December 22, 2011
My Radio Interview With Dr. Meg Blackburn Losey

Click here if you'd like to listen to my interview from last night on Dr. Meg Blackburn Losey's radio show Cosmic Particles. Meg is wonderful and I'm grateful that I had the chance to connect with such a spiritually aware woman. You can visit her site if you're interested in following her weekly show on things of all spiritual topics.
Tuesday, December 20, 2011
Back From India
(So long, and thanks for all the fish! "Fish?!?" you say! This could be fish from anywhere in the world, but I must use it to represent my trip to India. I stayed in an ocean town and ate a lot of fish while I was there. I smelled a lot of fish, often times when I didn't want to. People kept talking to me about fish. I even met some fishy people. It was a theme that I'm still deciphering)
I'm fresh off the plane from India. Yep, I was out of the country for most of November. I wasn't a good pilgrim--I traded in my Thanksgiving Turkey for curried chicken and basmati rice. I haven't been home for too long, and most of you are like, "Whaaa???? You didn't tell me you were going to India!" Well, that's usual for this butterfly spirit. I'm always going on a surprise adventure at the last minute. I had no idea that I was going to India until one week before, back in early November of this year. My friend and filmmaking partner Peter Bussian asked me to represent the film we're working on--Scarlet Poppy--at something called the Indian Film Bazaar in Goa, India.
A friend recently said to me, "Your life sounds so exciting, but I couldn't stand being you..."
Labels:
Butterfly On The Road,
India,
Indian Film Bazaar,
Liz Grover
Thursday, December 08, 2011
Images of India, 2011
I spent the end of 2011 in India, representing a film that I'm producing called Scarlet Poppy. It was accepted into the Indian Film Bazaar in Goa, India. These pictures are from my trip. So much to say, too jet lagged to write.
Labels:
Indian Film Bazaar,
Liz Grover,
Scarlet Poppy
Monday, November 14, 2011
Blow My Mind, Again!!!
Two weeks ago I took this photo below--I was in Silver Lake, Los Angeles on a butterfly business trip. It's was divine timing and perfect lighting for this photo. I was so happy, especially because photographing graffiti is one of my hobbies. Days later, I went to my friend's house in Mendocino California. I walked past her office, and this photo below was on her computer screen. And yes, "Blow My Mind" is exactly what happened to me. I asked her how she got it, and she said it was being spread around the Internet-she didn't know it was my photo. :-) HA HA HA :-) I love it! Pure synchronicity reflecting and telling me "Yes lady, you are on your path. Keep flapping those butterfly wings." I love confirmations in the material world, especially when it comes in the form of spreading beautiful images along the way. So have you seen this photo running around the Internet lately? ;-)
Saturday, November 05, 2011
Reading the Mise-En-Scene of My Life: Film Geeks & Mystics Are Welcome
My life is like a movie. No, really--it is. And I'm sure you agree with me if you've been following the stories of this blog. One of my favorite activities in my life movie is to be highly aware of my surroundings. How does it all look? What is my environment trying to tell me? How do the colors and arrangement of objects effect and reflect my being? Some may call this feng shui--especially when someone decorates their home. Others may call it awareness or the universal mirror because you can always, somehow, see yourself in the world and the people you attract.
Now I want to talk about this thing called Mise-En-Scene that I learned about last year in my film appreciation class. And yes, this will all tie together in a pretty little bow at the end. Brace yourself...
"Mise-en-scène (French pronunciation: [mizɑ̃sɛn] "placing on stage") is an expression used to describe the design aspects of a theatre or film production, which essentially means "visual theme" or "telling a story"—both in visually artful ways... For some, it refers to all elements of visual style—that is, both elements on the set and aspects of the camera. For others, such as U.S. film critic Andrew Sarris, it takes on mystical meanings related to the emotional tone of a film."-Wikipedia.
In short, Mise-en-scene, as described by my professor, means the look and feel of the film. Within the look and feel, there are visual elements that can point to the feelings and events of the film. The visuals tell a story. I like to call it film feng shui. The arrangement of everything visual can create a certain feel or energy. The look and feel can reflect who a character is.
For example, a director may reflect a character's chaotic emotions by designing a scene in a house where everything is messy and out of place. In a hypothetical scene, let's say that a man is hiding something from his wife--the director always shows the man in the shadows when he's on camera. When the man comes clean with his wife, the truth is reflected in the mise-en-scene because he is well-lit and surrounded in light.
Mise-en-scene can also be used to foreshadow events. The Shining is one of my favorite examples of this, in the scene (watch if you dare) where Halloran talks to Danny about his psychic abilities. Halloran starts to prod Danny about what he sees in the future of the Overlook Hotel. The scene is erie, and it's obvious that whatever is coming won't be pretty. When Danny asks "Halloran, are you scared of this place?" the knives appear above his head--notice the knives above Danny's head in the picture below. They foreshadow the horror that is to come, and one of those knives will be used later in the story.
And this is how mise-en-scene happens in my life...
Now I want to talk about this thing called Mise-En-Scene that I learned about last year in my film appreciation class. And yes, this will all tie together in a pretty little bow at the end. Brace yourself...
"Mise-en-scène (French pronunciation: [mizɑ̃sɛn] "placing on stage") is an expression used to describe the design aspects of a theatre or film production, which essentially means "visual theme" or "telling a story"—both in visually artful ways... For some, it refers to all elements of visual style—that is, both elements on the set and aspects of the camera. For others, such as U.S. film critic Andrew Sarris, it takes on mystical meanings related to the emotional tone of a film."-Wikipedia.
In short, Mise-en-scene, as described by my professor, means the look and feel of the film. Within the look and feel, there are visual elements that can point to the feelings and events of the film. The visuals tell a story. I like to call it film feng shui. The arrangement of everything visual can create a certain feel or energy. The look and feel can reflect who a character is.
For example, a director may reflect a character's chaotic emotions by designing a scene in a house where everything is messy and out of place. In a hypothetical scene, let's say that a man is hiding something from his wife--the director always shows the man in the shadows when he's on camera. When the man comes clean with his wife, the truth is reflected in the mise-en-scene because he is well-lit and surrounded in light.
Mise-en-scene can also be used to foreshadow events. The Shining is one of my favorite examples of this, in the scene (watch if you dare) where Halloran talks to Danny about his psychic abilities. Halloran starts to prod Danny about what he sees in the future of the Overlook Hotel. The scene is erie, and it's obvious that whatever is coming won't be pretty. When Danny asks "Halloran, are you scared of this place?" the knives appear above his head--notice the knives above Danny's head in the picture below. They foreshadow the horror that is to come, and one of those knives will be used later in the story.
And this is how mise-en-scene happens in my life...
Labels:
Liz Grover,
mise-en-scene
For the Love of Graffiti
So I have something that I haven't mentioned on my blog before. I LOVE Graffiti. It's one of my favorite art forms. I look for it everywhere in the world. I think I'm attracted to it because it's the art of the people--it's something that typically isn't trying to win prestige or money. It makes political, social, conscious and spiritual statements. I think a part of my passion for it comes from the fact that I spent a chunk of my childhood in New York, where graffiti is wonderfully rampant. I remember seeing it as a small child--especially on the side of the tracks, factories, and broken down train cars when I would ride on the Long Island Railroad.
Right now I'm on a work trip to LA and it's one of my favorite places for street art. I recently took some great shots here:
Right now I'm on a work trip to LA and it's one of my favorite places for street art. I recently took some great shots here:
Subscribe to:
Posts (Atom)





